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In which various Emdashers review the issue you may just be getting to.
For me, this issue felt a bit like August scraps tied in an unwieldy bundle. David Owen (“The Dark Side,” about the disappearing night sky) is always terrific, but the truffle in this issue was Burkhard Bilger’s vivid, manly-in-a-good way “The Mushroom Hunters.” Alex Ross’s Mostly Mozart meditation was top-notch, and should be considered seriously as an award submission. I also want to single out Adam Gopnik’s review-essay about Philip K. Dick, which may be the best book review of Gopnik’s I’ve seen. It had a touch of melancholy about it, too; hope everything’s OK. And speaking of melancholy, “Driving Home” has it and much more. So there were a lot of good things in the issue. I take it back. —Emily Gordon
A little boy, a band of nature enthusiasts, a shark—so many things coming into fatal contact with an unyielding surface!
I really liked Michael Schulman’s dizzy TOTT on the tween adulation directed at Zac Efron. It’s a wonderful example of how Talks can take you anywhere in the city.
It’s wonderful to see Paul Simms’s recurring byline in the magazine—for my money, sitcoms come no finer than NewsRadio, and Conchords isn’t far behind (high praise). I expect nothing less than brilliance from Simms, and “My Near-Death Experience” was just that. I love the idea of “incidents of air rage.”
I didn’t quite buy Peter Boyer’s thesis, to wit, that Rudy Giuliani’s character flaws make him a formidable candidate in the general election—but I thoroughly enjoyed his fine, serious Political Scene entry nonetheless. One of the rewards of election years is the certainty of precisely such Lemann-esque articles, and “Mayberry Man” is an honorable addition to that canon. I can’t get enough of them.
T Cooper’s powerful story about Cambodia, “Swimming,” worked for me on a number of levels. There was a nice economy in the way Cooper earned the various emotional payoffs in the story. Good fiction, that.
I’ve recently become a twitcher, so I was particularly taken with Filip Pagowski’s evocative, near-ambiguous, smeary spot illustrations in this issue. —Martin Schneider
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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Comments
Burkhard Bilger’s “The Mushroom Hunters” is one of his best pieces. I like the exactness of his descriptions. A simple sentence like, “Loch parked the truck in a stand of of red-barked sugar pines and Shasta firs,” strikes me as pure poetry.