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Tired of new writers? Hungering for more from some of the established greats? Then I’ve got good news for you: William Styron’s got a posthumous collection of fiction coming out, which will include a chapter from an unfinished novel. Styron, who died in 2006, is best-known, of course, for Sophie’s Choice and The Confessions of Nat Turner (both controversial when they were published), as well as Darkness Visible, his well-known memoir about his first struggle with major depression.
If you’re a fan, or interested in learning more, check out his daughter’s memoir from the December 10, 2007 issue of The New Yorker, Styron’s own New Yorker essay about being misdiagnosed with syphillis when he was 19, audio interviews with the author from 1981 and 1982, or this hour-long video appreciation of the author and his work that appeared on Charlie Rose.
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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