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Looked Into
Lorrie Moore's Latest Novel: Alternate Covers, New Yorker-Style
Filed under: Looked Into Tagged: books, Daniel Hertzberg, design, fiction, Lorrie Moore, Peter Terzian
Emily Gordon writes:
Our friend and Print contributing editor Peter Terzian showcases some of the unused covers for Moore's novel A Gate at the Stairs (which I reviewed not long ago). And there's a double New Yorker connection! Peter writes:Barbara de Wilde, associate art director at Alfred A. Knopf, has designed the jackets of Lorrie Moore’s novels and story collections dating back to Like Life, in 1990. For the cover of A Gate at the Stairs, Moore’s first book in a decade, de Wilde initially contacted Daniel Hertzberg, whose illustrations she had seen in The New Yorker. “I loved the high-contrast quality of his drawings,” she says. “It reminded me of Robert McCloskey books. I wanted all those remarkable colors from Blueberries for Sal and Make Way for Ducklings--those mustards and odd greens and quirky blues.”Go to the post to see the parallel-universe covers!
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Hello! We are media enthusiasts and culture addicts—not to mention classically trained (as we like to say) professional journalists. This is our collection of generally civilized conversations about magazines, movies, politics, punctuation, and other things that stir us.
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is currently written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. (Unsigned posts through October 2008 are by Emily Gordon.)
The site is designed and maintained by House of Pretty and illustrated by Jesse Ewing for Inkleaf Studio. Additional drawings are by Carolita Johnson and Pollux (who also draws our daily comic, "The Wavy Rule"). The kissable Emdashes logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World; PDF, p. 20)
- Feature: Rea Irvin: visionary art director, man about town, and New Yorker founding father (for Print)
- Report: Learning to read with comic books--that are edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Proposal: a better-designed Metrocard (for A Brief Message)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Micro-essay: on saving time through inspiration (for A Brief Message)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
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