Author Archives: Emdashes

The New Yorker and Excel Work So Well Together

The Millions has just posted a really juicy spreadsheet that a teacher named Frank Kovarik sent in. It’s got basic information on every short story that has appeared in The New Yorker since 2003. I salute Kovarik for his industry and public-spiritedness! I also use Excel to make sense of The Complete New Yorker‘s vastness. Indeed, I think those two just might be the new PB&J, the new franks and beans, the new vodka and tonic. It’s possible I overstate.
I’m sure I’ll have more to say about this data, but I hope that Kovarik elucidates the meaning of the “Rating” column. I suspect it refers to his own personal opinion of the story, on a scale from 1 to 10. If that guess is correct, he sure doesn’t like Roberto Bolaño!
One aspect of this information that has already gotten some attention is the statistics on gender. Obviously, The Complete New Yorker permits comparison across eras, so that’s something I’d like to look into soon. —Martin Schneider

“Poetry’s a Little Swervier Now”: An Interview With Alice Quinn

There’s a short, good interview with Alice Quinn on the Poets & Writers website, in which she talks about her twenty years as The New Yorker‘s poetry editor, what she’ll do next, and her successor, Paul Muldoon. An excerpt (thanks to Ron Silliman for the link):

How did you feel about the appointment of Paul Muldoon as poetry editor?
It was really my dream to have him succeed me. David [Remnick] asked, “What would you think about Paul Muldoon?” and honestly, I almost did a jig. You lay a foundation and then you see that somebody you adore and admire is going to come and shore it up and further it, and that’s great.

Who do you perceive to be the audience for the New Yorker‘s poems?
I feel that New Yorker readers are people who were profoundly connected to poetry in childhood, adolescence, or college, who want to touch base with it and want to feel that they still can read poetry. The New Yorker gives poets access to an international audience of literarily eager people who are sampling poetry.

Also, R.I.P. Milt Dunnell, sports columnist for the Toronto Star, who won an A.J. Liebling Award from the Boxing Writers’ Association of America in 1997. He passed away last week at the age of 102. From the collegial and eloquent obituary in the Star:

The 1975 fight between Ali and Frazier in Manila – the Thrilla in Manila – was his all-time favourite sporting event. At the time, he began his column this way:

“Not since the big guns of nearby Corregidor, now rotting in the tropical sun, has there been such cannonading in this corner of the Pacific.”

It was the greatest fight he covered and Ali was the greatest athlete of the century in Dunnell’s view.

“In my opinion,” he once said, “Ali was one of the greatest salesmen and public relations personalities in the world.”

“After a training session, Ali would sit on the corner of the ring and talk for an hour. Most of it was b.s., but he would talk about world politics, fighting, about blacks in society … all those things … and he described himself as the world’s best-known citizen.”

But he didn’t know everything. If Dunnell was nearby and Ali didn’t have a stock answer for a technical or historical question, he would say, “I don’t know about that. Why don’t you ask Milt here?”



On one occasion, Stephen Brunt, a sports columnist for the Globe and Mail, recalled seeing Dunnell in action at a heavyweight fight between Mike Tyson and Michael Spinks in 1986.

“The bout ended quickly, but still it was past midnight and in the confusion at ringside there was shoving and jostling as the spectators pushed toward the ring and as the reporters tried to push their way out to the post-fight press conference.

“And somewhere, in the middle of it all, was Dunnell (only about 80 then), climbing over a table, fighting his way through the mob, to get the quote, to get the story, to get it back to his readers, to make the event real the next morning over somebody’s breakfast in Scarborough.

“Athletes aren’t the only heroes in sport,” concluded Brunt.

“Best American Essays” List Complete!

I am very pleased to announce that our project of listing the New Yorker essays in Houghton Mifflin’s “Best American Essays” series has moved from “spotty” to “thoroughgoing.” We were fortunate to spark a “completist mania” (his words) in stalwart Emdashes supporter Benjamin Chambers, who doggedly tracked down the nine missing years for us. We are so vastly grateful to Benjamin for helping us close out that post for good.
When he’s not giving Rebecca West’s Black Lamb and Grey Falcon a close reading (West wrote 24 items for The New Yorker, ahem), Benjamin is working his way through every single essay in these volumes, a foolhardy but surely a rewarding undertaking. We’ll have further updates from his reading progress (on the essays, not on West) in the near future. Benjamin runs the award-winning literary website The King’s English, which we urge you to check out. —Martin Schneider

New Year’s New Yorker Short Story Resolution: Installment I

Readers may recall that I resolved to read all of the short stories in a certain three-volume anthology of New Yorker stories. Here’s the first batch:
Dorothy Parker, “Arrangement in Black and White,” October 9, 1927
Plot: A silly socialite is cluelessly racist to a black jazz musician at a party.
Noah Webster alert: A “grass widow” is a divorcée.
Marc Connelly, “Barmecide’s Feast,” December 24, 1927
Plot: A wealthy couple make the rounds on Christmas Eve but lack a certain something.
Worthy of note: The word “phoned” has an apostrophe in front of it.
Noah Webster alert: “Kelly pool” is a type of pocket billiards as well as the source of the phrase “behind the eight ball.”
Joel Sayre, “Love in the Snow,” January 9, 1932
Plot: A teenage boy at a winter resort finds that love cannot conquer all.
Hot quotation: “George Bush got very embarrassed, and, although they teased and coaxed him a long time, he kept insisting that he didn’t have any girl and finally got sore and told Bill Preston to shut up before he got a rap on the jaw.”
Noah Webster alert: a “one-step dance” is, er, a kind of dance.
Dated reference: Charlie Jewtraw

Edwin Corle, “The Great Manta,” May 5, 1934
Plot: A doorman at a movie palace is unruffled by the arrival of marine competition across the street.
Hot quotation: “Sixth Avenue is an ambiguous street.”
St. Clair McKelway, “Ping-Pong,” September 12, 1936
Plot: After a game of ping-pong at a resort, a shallow fellow tells a virtual stranger about his son’s suicide.
Worthy of note: Long monologues—no longer fashionable. Elaboration of the pain lurking behind a man’s bland façade would not work today; readers would assume as a matter of course that a bland person was hiding pain.
Best story: “Love in the Snow”
—Martin Schneider

Naked Campaign: Brodner Does Romney

Just in time for the Iowa caucuses, which will happen mere hours from now and may well decide the presidency, newyorker.com unveils another of their delightful “Naked Campaign” videos featuring Steve Brodner, this one on possibly our next president (I doubt it) Mitt Romney. You all remember how much I cottoned to Brodner and his whiteboard. In this one he sketches Romney’s stack of hair half a dozen times, and I find it a hoot every single time.
So: Iowa! For the political junkies out there, I present McLaughlin-esque questions and predictions:
Will Romney win the Iowa GOP caucus? No!
Will Huckabee win it? Yes!
Is Giuliani toast? Thankfully!
Is McCain alive? And how!
Will Clinton win the Democratic caucus? Negatory!
How about Edwards? Maybe!
So… Obama, then? I think so!
Will it be cold? Brrrr!
Will the media overreact? Heaven forfend!
—Martin Schneider

Thurber, Byrne, Soglow, Annoying Phrases, Cash!

An admirably self-effacing friend and neighbor of Emdashes sent us at least one of the links below way back in 2007, but it is only in ’08 that this post manifests itself. So it sometimes goes with a blog of little staff. You already know that I’m nearly a lifelong appreciator of Otto Soglow, and will no doubt recall the enchanting animation of the Little King from a few months ago (scroll down through the rhyming couplets; you’ll find it).
Anyway, here’s a wonderfully detailed, gorgeously illustrated post about Soglow by Austin Kleon (classy site design, by the way); it even includes Soglow’s New Yorker obituary, from 1975. He links to an excerpt from “Otto Soglow and The Ambassador,” an essay by Jared Gardner, in The Comics Journal. There is a lot here about Soglow’s work for The New Yorker; it’s really engrossing. Read it! Eddie Campbell followed up the latter with a worthy entry of his own.
Speaking of in-depth inquiries, Richard Eder, one of the kindest and most intelligent writers I’ve known, wrote a review in the Times of the second volume of those famously elaborate Paris Review interviews. A snippet in which you’ll be especially interested, I’d wager:

Interviews run the risk, particularly when long and literary, of declining into monologue. A mirror is held up; writers, who for so long have been their own mirrors, gaze into it…. The interviews that shine get away from this. Performing — the word again — informs better than informing does. Concealing reveals more than revealing. Where the otherwise brilliant Robert Lowell and William Gaddis dutifully stand still to be questioned, others take questions as things not to be answered but launched from.

James Thurber flaps off, like a partridge diverting from her eggs, to talk about bloodhounds. Then he recounts how, when a friend once told him he’d forgotten an argument, Thurber was able to repeat it for him: “It’s strange to reach a position where your friends have to be supplied with their own memories.”

That could be one of his well-known cartoons for The New Yorker; say, the man introducing a woman crouched naked on all fours on top of a bookcase as “the first Mrs. Harris.” Which leads to Harold Ross, the magazine’s editor, calling Thurber, demanding whether she was supposed to be alive, stuffed or dead, and Thurber claiming to have consulted his taxidermist and doctor to conclude that she was alive. Then to writing, eventually, and Henry James’s reminding him of a bulldog who carried around a fence rail that kept jamming against the gate post.

“I had that feeling in some of the James novels: that he was trying to get that rail through a gate not wide enough for it,” Thurber says.

This same self-effacing neighbor who provided some of the Soglow links said semi-seriously that David Byrne, who here visits Ikea, should try a Shouts & Murmurs. Why not? Celebrities should be encouraged in their witty, writerly pursuits; it might prevent some of them from making asses of themselves. Not that Byrne is in any danger of that; indeed, his “How New Yorkers Ride Bikes” event at this past year’s New Yorker Festival was one of the biggest hits of the program. It’s not online (for some reason, I thought it was), but some of the other highlights are. I especially recommend the Seymour Hersh, Judd Apatow, and Steve Martin videos. If you listen closely, you’ll hear me laughing (and/or quietly panicking at the dire state of the world) in the audience.

This seems as good a place as any to say that I still haven’t gotten over the sweetness and poignancy of Rosanne Cash playing and singing at her festival event, not to mention talking and flirting, endearingly, with Hendrik Hertzberg. She slayed everyone in the room with her generosity, wit, and beauty, and it was all just before she had brain surgery, too. I continue to be spellbound. I know that’s a lot of adjectives, but she deserves them.

Finally, via the AP, it’s the Lake Superior State University Banished Words List for 2007. It’s perhaps not as galling a collection as our own Banned Words and Phrases, but it’s got “authored,” “webinar,” and “waterboarding” on it, among others. Waterboarding really is as stupid a word as it is a reprehensible practice; surely we can come up with something that makes it sound as bad as it is.

The Last Links of the Year, and Possibly the Best

It’s practically champagne (OK, OK, Champagne): Jesse Thorn interviewing George Saunders with a live audience. It’s fizzy! Check out The Sound of Young America‘s dramatization (featuring a sparkling cast with great legs: Andy Daly, Jen Kirkman, Jonathan Coulton, James Adomian, John Hodgman, Maria Bamford, Jonathan Katz, Dan Klein, and Xeni Jardin) of Saunders’s “Ask the Optimist.” At its best, Gawker’s snarly, goofy “The Unethicist” has something of its flavor.
Speaking of New Year’s, the stylish Rea Irvin shows us how to celebrate it in style—1867- and 1917-style, that is—in two contrasting cartoons. Thanks to ABCs of Art for the excellent link! Who says there’s nothing on the web this week? (Like this positive review of the William Steig show at the Jewish Museum, complete with illicit but tender photos.)
I dug this City Room sampling of hundred-year-old Times stories: “And readers who think they remember this newspaper as the Old Gray Lady might want to recall some of the fairy tale yarns that made the front pages at New Year’s 1908.” Seriously, they’re great. Now, add links!
Frank Bruni enthuses today about a new book I also heartily recommend:

The book I was happiest to find in my mail was “Secret Ingredients: The New Yorker Book of Food and Drink,” which was just published. It’s edited by David Remnick, the magazine’s editor. It’s chewy: more than 575 pages of nonfiction and fiction writing that appeared in the New Yorker over many decades.
And you couldn’t ask for a more diverse, dazzling collection of writers, some of whom wrote or write primarily about food, others of whom dabble or dabbled in culinary musings only occasionally. In these pages you’ll find M.F.K Fisher, Joseph Wechsberg, A.J. Liebling, John McPhee, Calvin Trillin, Bill Buford, Nora Ephron, Janet Malcolm, Don DeLillo, Louise Erdrich, Julian Barnes, Steve Martin, Malcolm Gladwell. I could go on and on, and I plan to dip into this book for a good long time to come. By which I mean: forever.

I did give it as a Christmas present, by the way. Stay tuned for the recipients’ reviews!

Here’s a caption contest finalist that Texans are cheering for, and some spirited reminiscences of Bill Buford’s Granta on the occasion of the magazine’s hundredth issue.

In the final hours of 2007, take a moment of silence for the Cincinnati Post. And another for Robert “Buck” Brown, the cartoonist who passed away this year. Here’s an obituary from BlackAmericaWeb’s list of “the Black Icons, Known and Unknown, Who Passed in ‘07.” I like that, icons known and unknown.

Robert “Buck” Brown, 71, one of the first “crossover” African-American cartoonists, whose work appeared in Playboy magazine over four decades, died July 7. Playboy printed more than 600 of Brown’s cartoons, including one that appeared in the magazine’s August issue. His daughter, Tracy Hill, told the Associated Press that Brown sold thousands more to other publications. Brown’s work also appeared in Ebony, Jet, the New Yorker, Esquire and the Chicago Sun-Times.

Mike Lynch has a more detailed post that includes a link to a longer bio of Brown at the site The History Makers.

Happy new year, everyone! And happy third birthday to us again! It’s our once-a-year day, and everyone’s entitled to be wild, be a child, be a goof, raise the roof, once a year! And for success, love, health, and, of course, wealth in 2008, you need look no further than this story by George Singleton in the Oxford American: “How to Write Stories…And Lose Weight, Clean up the Environment, and Make a Million Dollars.” Can’t wait!

Happy Birthday to Us!

Today, Emdashes is three. Three cheers for three years of whatever it is we’ve been doing and will do here, God bless it. As Harold Ross might say, but he died long before the age of blogs, at which he might have looked askance. On the other hand, he might have been all for them. It’s hard to say. He’d probably blanch at Facebook. Have you read Genius in Disguise? I’m just finishing it up, and it’s a treat, whatever your level of interest in The New Yorker and the whirlwind it made. I’m simultaneously reading Victor Navasky’s funny and instructive memoir, A Matter of Opinion, and I’m proud to have worked with one of these noble men of magazines and upholders of honest journalism. That’s not to slight the women. To paraphrase Norman Mailer, every editor is a culture, and you enter deep into another culture, one that’s not your own, and you learn an awful lot from it. So three cheers for my own wise captain, too.

In Which Kottke Beats Me to the Punch

Leopard-quick (is anyone really “lightning-fast”?) Jason Kottke alerts the entire Internet to this swell profile of Benazir Bhutto by Mary Anne Weaver that appeared in The New Yorker in 1993.
If only Emdashes had someone tasked with pointing out gems from The New Yorker‘s past … ah well, we can dream.
Praise be to newyorker.com staff for (presumably) taking this out from behind the archive wall with such alacrity, despite it being the holidays and all.
I’m blaming the holidays! —Martin Schneider

Oscar Peterson, 1925-2007

Oscar Peterson is dead. (He was the age of The New Yorker, which, fortunately, is invincible.) I wish I were listening to Jonathan Schwartz talking about it on the radio. I hope he’ll be talking about it next weekend and playing hours of songs. I bet he will. I heard once, from another lindy-hopper, that Peterson wasn’t very keen on modern swing dancers. Is this true? Either way, I plan to be dancing to his music till the end of my days.