Author Archives: Emdashes

What extraordinary loathing looks like

Me in the company of this godforsaken Cartier ad, in the middle of my screen while I’m trying to read The New Yorker online (I’m traveling) for you nice people. The worst part about it, even worse than the fact that it’s all in my face, following me everywhere I go like the eyes of the Mona Lisa, is the gratuitous number and clashing array of typefaces it uses: bold, italic, “fancy-pants.” (When I’ve read more of my stunning Print magazine, I’ll know what to call these things.) Cartier, we’re breaking up. I have a breakfast date somewhere else.

Sasha Frere-Jones has ten desks

Read all about it here.

Also, I found this story about the scholarly/waitressing/boxing career of New Yorker staffer (or something—it doesn’t really say) Suzie Guillette mesmerizing and uneasy-making; it raises a whole passel of questions I don’t really feel like writing about. I present some of it—originally printed in her hometown paper, the Attleboro Sun Chronicle—for your deep thoughts:

NEW YORK — The pretty young woman hits, cuffs and clutches a 68-year-old man while another man shouts at her to do more of it, and better.

A group of tough-looking men, boys and several women, encircle, wait, smile, shout or stare — all waiting to follow her.

Into the ring.

Suzie Guillette, 28, Attleboro High School Class of 1994, is sparring in a Bronx gym with an ex-New York Golden Gloves champion named Willie Soto who is old enough — and kind enough — to be her grandfather.

Elbow to elbow with this slice of rugged humanity stands Attleboro’s Guillette.

Blond, blue-eyed, slender and academic, Guillette will spar, box, skip rope, and then write about all of these memorable encounters by April.

She studies boxers by becoming one. It’s her master’s thesis.

Guillette, who majored in philosophy at George Washington University, is a second-year graduate student now at Sarah Lawrence College in Yonkers.

Four to five days a week, she takes the 20-minute drive from her idyllic ivy-covered campus to two large, concrete and fluorescent-lighted rooms smattered with old fight posters and dried blood.

It is a repository of tattooed dreams, swollen lips and bloodied ambition.

And Guillette couldn’t be happier.

When she returned to Sarah Lawrence [from the Czech Republic] for the second year of her master’s program, she still entertained thoughts of immersing herself in Rwanda.

Then, after a bizarre meeting in a laundry with a neighborhood man who was looking for women to model his line of underwear for black and Latino women — “His wife and daughter were right there,” Guillette said — she thought, perhaps, she should write about the colorful people who inhabit the Bronx.

By September’s end, however, she had found the Morris Park Gym and had begun renewing her love affair with boxing.

“I realized it was perfect for my thesis, a very manageable idea,” Guillette said. “It was really fun, and the other part of me had really enjoyed boxing in Prague. So, I said I might as well do something that I love, two hours a day, four days a week.”

Her thesis adviser agreed, and encouraged her new pursuit.

As Guillette developed her jab and her cross, she also developed her hook — five essays that will serve as chapters in her planned 100-plus page thesis.

“There will be four or five essays in totally different styles,” Guillette said.

A third piece will be on dishing out and receiving punishment, itself, gleaned from the denizens of Morris Park.

“It’s a survey piece on how it feels to be hit,” Guillette said. “There are so many different people, so many different levels. How do you feel to be hit and then hitting someone?”

Boxing has gotten into her blood like ink did when she did a stint at The New Yorker magazine; when she was writing proposals; when she studied writing abroad.

She plans to modify her pieces with hopes of getting them published in The New Yorker or as stand-alone essays.

She is writing sample chapters and seeking a literary agent. If she returns to Europe, she will work on a book.

Down the road, she is entertaining the idea of applying for a license to train young girls how to box.

What’s there to say, really, except make cracks about how you better learn to get comfortable being hit and then hitting someone if you’re going to make it in the word game? I can’t even say anything about interdisciplinary studies at Sarah Lawrence, seeing as I almost went there. This is so obviously going to be a book, and why not? It’s been done well before. Maybe she’ll get a chapter into the magazine; hey, I’ve had plenty of boxing fantasies myself, though I don’t like getting blows to the head. Damage to the aqualine nose aside, though, I hope she gets signed sooner rather than later—better to have a million-dollar contract than be a million dollar baby.

Bard of the Rings [Attleboro, Mass., Sun Chronicle]
Embracing the Housewife Within [Guillette, Sexing the Political]

Hersh: “There is much more to be learned”

From the Guardian, Seymour Hersh (yes, I could call him Sy, but don’t you think it’s sort of silly to call journalists you don’t know by their cute nicknames? Not to mention members of the Cabinet. I mean, I don’t have a great deal of respect for Condoleezza Rice, but she has a last name—what is this, women’s tennis?—and it’s not Condi. At least it’s not Condi to me; Bush, that’s another story) on the unknown unknowns of the Abu Ghraib scandal:

It’s been over a year since I published a series of articles in the New Yorker outlining the abuses at Abu Ghraib. There have been at least 10 official military investigations since then—none of which has challenged the official Bush administration line that there was no high-level policy condoning or overlooking such abuse. The buck always stops with the handful of enlisted army reservists from the 372nd Military Police Company whose images fill the iconic Abu Ghraib photos with their inappropriate smiles and sadistic posing of the prisoners.

It’s a dreary pattern. The reports and the subsequent Senate proceedings are sometimes criticised on editorial pages. There are calls for a truly independent investigation by the Senate or House. Then, as months pass with no official action, the issue withers away, until the next set of revelations revives it.

There is much more to be learned. What do I know? A few things stand out. I know of the continuing practice of American operatives seizing suspected terrorists and taking them, without any meaningful legal review, to interrogation centres in south-east Asia and elsewhere. I know of the young special forces officer whose subordinates were confronted with charges of prisoner abuse and torture at a secret hearing after one of them emailed explicit photos back home. The officer testified that, yes, his men had done what the photos depicted, but they—and everybody in the command—understood such treatment was condoned by higher-ups…. What else do I know?
Keep reading.

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I believe that was once called “logrolling”

From the Times “What’s Online” column:

Naturally, readers are drawn to the blog, which picks up where the book leaves off. And unlike a lot of writers who blog their books with a seeming reluctance, the authors, Steven D. Levitt, an economist, and Stephen J. Dubner, a journalist, take to it with the same zeal they applied to their book, and the blog is abuzz with activity.

For example, Mr. Levitt tells of an e-mail message he recently received from a fellow trend-tracker, Malcolm Gladwell: A man approached Mr. Gladwell at the Toronto airport, asked for an autograph, and pulled out a copy of “Freakonomics” for him to sign. “We are totally co-branded!” Mr. Gladwell wrote.

They already were. Mr. Gladwell’s name, affixed to his blurb (“Prepare to be dazzled”) appears above Mr. Levitt’s and Mr. Dubner’s on the cover of “Freakonomics.” And Mr. Levitt heaps praise on Mr. Gladwell several times on his blog.

‘Blink’ Meets ‘Freakonomics’ [NYT; boldface mine]

Poetry: now even more modern

It may be time for the many eminent Luddites of verse to steel themselves and snap in their AirPort cards, and not on their portable Remingtons (that wouldn’t work at all):

New York, NY (PRWEB) May 23, 2005 — The Academy of American Poets has unveiled a completely revamped, redesigned, and expanded version of its award-winning website, www.poets.org. Tree Swenson, the Academy’s Executive Director, said, “More poems, more articles, more links, more ways to immerse yourself in poetry—welcome to the brand new Poets.org.”

In April 2005, Poets.org received 1.15 million visits, 570,000 unique visitors, and 7.8 million hits, with an average visit length of over 13 minutes. Poets.org is the most highly trafficked nonprofit poetry site on the web, according to Alexa.com, the web information service from Amazon.com. Poets.org offers nearly 2,000 poems, over 500 poet biographies, 400 essays and interviews, 150 audio recordings, lesson plans for teachers, a poetry gift shop, discussion forums, poetry news, events, and more. In the coming months, even more poetry, prose, poet biographies, and features will be added to Poets.org.

The site redesign includes a fresh new look, a beefed-up structure, improved navigation and search functions, revamped message boards and discussion forums, and new internal linkages. The site also features new technology, such as a php database and open-source technology servers, that will make the site up to three times faster. Poets.org is being redesigned with the assistance of Ruder Finn Interactive and Juxta Digital.

Robin Beth Schaer, the Academy’s web coordinator, noted that the new Poets.org will give readers access to an even deeper appreciation of poetry. “Our readers will see the rich connections between poets—influences and associations, movements and debates. They will discover the writers who have shaped American poetry in the past and those who are shaping it now.” Web associate Nathan Hill said, “Poets.org’s breadth and depth of content is extraordinary, but we think the site is so popular because it offers content and context. or example, if you’re interested in John Ashbery, Poets.org offers not only his photo, bio, and poems, but also an interview, audio recordings, a DVD, related poets, as well as external links.”

Swenson noted that the Academy of American Poets first went online in 1993—”before Amazon, eBay, Google, or Yahoo even existed”—with a modest brochure-type website. Two years later, in 1995, the Academy’s site was expanded to include poems, biographies, quizzes, and discussion forums. The domain Poets.org was registered by the Academy in 1996, and the first version of the current site was launched in April 1997 and subsequently redesigned in May 2000.

Good news, but a fresh new look, a beefed-up structure, revamped message boards? Sounds like Clara Bow and Sinclair Lewis in a meadow rendezvous. Block that metaphor!

By the way, at press time, the “Top 10 Most Popular Poets on Poets.org” were:

1. Langston Hughes
2. Emily Dickinson
3. Robert Frost
4. Walt Whitman
5. Shel Silverstein
6. Dylan Thomas
7. Sylvia Plath
8. Maya Angelou
9. William Carlos Williams
10. Gwendolyn Brooks

(Popularity based on Poets.org user searches)

See something you like? Then buy it! I mean him or her. Some of them come awful cheap.

Most Popular Nonprofit Poetry Website, Poets.org, Re-Launched by Academy of American Poets [eMediaWire]
Is it O.K. to Be a Luddite? [Thomas Pynchon in the NYTBR, 1984. “Except maybe for Brainy Smurf, it’s hard to imagine anybody these days wanting to be called a literary intellectual, though it doesn’t sound so bad if you broaden the labeling to, say, ‘people who read and think.’ Being called a Luddite is another matter…”]

Your daily Wilsey

Here’s a story from the Times of London about the whole messy shebang o’ worms. If you’re from the East Coast and aren’t so fascinated by Sean, Dede, Al, Pat Montandon, and the rest, you’re missing out on an excellent soap opera and, much more important, a kick-ass memoir. Don’t put down the West Coast just because it has movie stars, drunken Paul Giamattis (while in character), and insanely steep hills! There are things to love about California, and this is one of them.

Tycoon’s son pens revenge on ‘wicked’ stepmum [Times online]

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Elizabeth Hoffman: That’s no lady, that’s my poet

I liked this Times obit of the 83-year old Hoffman, who championed good poetry during a time when lady editors were quite a bit more hampered by lady-ness than they are now:

Elizabeth McFarland Hoffman, who as poetry editor of Ladies’ Home Journal sandwiched the work of W. H. Auden, Adrienne Rich and Sylvia Plath in between “Is Your Marriage a Masquerade?” and “Bing Crosby’s Kitchen for His Bride,” died last Thursday in Philadelphia.

While Ms. Hoffman was at Ladies’ Home Journal, from 1948 to 1962, the magazine published at least a half-dozen poems in each monthly issue. Major 20th-century writers whose verse appeared there included Marianne Moore, John Ciardi, Mark Van Doren, Randall Jarrell, Maxine Kumin, Edna St. Vincent Millay, Walter de la Mare, Galway Kinnell, Maxwell Anderson and John Updike.

Ms. Hoffman’s own poems, published under her maiden name, also appeared in the magazine. She left Ladies’ Home Journal in 1962, after its new owners stopped publishing poetry.

I had to go back and read that again myself: six poems per issue! No one does that anymore. What a loss for the women who read these magazines. The young Plath, and many more with literary gifts (Mary Cantwell comes to mind), would likely not have become distinguished writers if the women’s magazines they worked for in the fifties hadn’t been distinguished publishers of fiction and poetry themselves. Young women have always collected trivia about beauty secrets that take up considerable space in the brain (in which direction should eyebrow hair be tweezed? I know you know the answer, fellow trivia-gatherers), but at least they could turn to a good short story afterward. Not that there wasn’t a bit of cognitive dissonance:

Usually set in a box in the middle of a page, the poems created some arresting juxtapositions. In the August 1950 issue, “Secrets,” by Auden, follows an ad for Velveeta. In September 1956, “Where the Bodies Break,” by Mr. Kinnell, shares a page with “How to Make 10 Tantalizing Butter Waffles With That Tender Melt-Away Texture.”

Readers of the June 1953 issue, which featured “A Glass of Summer Daisies,” by Jessamyn West, could, a page later, contemplate the question, “Did you wake up today with ‘morning mouth’?”

Oh well, headlines and ad copy are a kind of poetry. Galway Kinnell has something of a tender melt-away texture, when you think about it.

The magazine had a history of such juxtapositions. Under Edward Bok, a Pulitzer Prize-winning writer who edited Ladies’ Home Journal from 1889 to 1919, it published fiction by Sarah Orne Jewett, Bret Harte and Rudyard Kipling alongside articles on childrearing, Jennifer Scanlon, the author of “Inarticulate Longings: The Ladies’ Home Journal, Gender, and the Promises of Consumer Culture” (Routledge, 1995), said in a telephone interview yesterday.

There’s lots not to be nostalgic about when it comes to the fifties, a statement so obvious I shouldn’t have to say it. But we’re still left with women’s mags that have little to offer the mind (besides de-stressing and work-promotion advice, which are good but not what I mean). So don’t read them, you say. Well, exactly.

Elizabeth Hoffman, 82, Editor for Ladies’ Home Journal, Dies [NYT]

(5.30.05 issue) What’s good today?

Here’s the abbreviated TOC for this week’s issue. Links will be linkilated later; diacritics have been noted with a tired nod. What looks good: H. Allen Orr on evolution/devolution; Ian Frazier on anything; Paul Goldberger on Ground Zero; David Bezmozgis’s short story “The Russian Riviera” because I’m hopped up on Russia lately; Sharon Olds and Donald Hall poems; Peter Schjeldahl on Jasper Johns; most of my favorite cartoonists.

Special stuff, online only: “PLUS: Coming tomorrow, a discussion with Bruck about McCain and the 2008 Presidential race.” And, of course, the current stats on the caption contest (plus a really annoying Cartier ad). The pitch-perfect Lewis Gatlin (“This is my stop. Phil, you’ll be C.E.O. till Sixty-third Street”) won contest #2, as I predicted; although my mom didn’t make it to the finals of Gorging Dragons with “I take it you’ll be paying,” there’s still a very funny caption, which is David Markham’s “Remember that time you made me laugh and people came out of my nose?” That’s the one you’ll be voting for, I’m sure. The other contest results are pending. Pray for justice.

TALK OF THE TOWN/FINANCIAL PAGE
Hendrik Hertzberg on Newsweek, the White House, and the fallout from the Guantanamo allegations.
Jeffrey Toobin on a legal battle raging within a feminist arts organization.
Rebecca Mead on trying to save the mounds in Washington Square Park.
Calvin Tomkins on celebrating David Rockefeller’s birthday.
James Surowiecki on how geography is still destiny when it comes to medical care.

ANNALS OF SCIENCE
H. Allen Orr
Devolution: Intelligent design vs. Darwin.

SHOUTS & MURMURS
Ian Frazier: Chinese Arithmetic

THE SKY LINE [Have I seen this heading before? I don’t think so. Old-fashioned style, “sky line” as two words. It makes you actually think about the shape of the line formed by the buildings, which is nice.]
Paul Goldberger
A New Beginning: Should Ground Zero be used for housing?

PROFILES
Connie Bruck
McCain’s Party: The Arizona senator gets ready for 2008.

FICTION
David Bezmozgis: “The Russian Riviera”

BOOKS
Arthur Krystal: A history of the night.
Briefly Noted

THE THEATRE
Hilton Als: “Miss Julie,” “Memory House,” “Flight.”

MUSICAL EVENTS
Alex Ross: “Tristan und Isolde,” “Cyrano de Bergerac.”

THE ART WORLD
Peter Schjeldahl: New work by Jasper Johns.

THE CURRENT CINEMA
David Denby: “The Ninth Day,” “Madagascar.”

POEMS
Donald Hall, “Tennis Ball”
Sharon Olds, “Her Creed”

COVER
Peter de Seve: “The Song of Spring”

DRAWINGS
Danny Shanahan, Liza Donnelly, Eric Lewis, Roz Chast, Leo Cullum, Bruce Eric Kaplan, J. J. Sempe, William Haefeli, Victoria Roberts, David Sipress, P. C. Vey, Jack Ziegler, C. Covert Darbyshire, Drew Dernavich, Mick Stevens

SPOTS
Laurent Cilluffo

The Emdashes Philosophy

Summed up perfectly by Alex Ross, New Yorker (non-pop) music critic: “There is nothing shameful in unchecked enthusiasm. If I walk out dancing on air, I say it in the review.”

On that buoyant note, here’s a savvy meditation by my esteemed former colleague (at Legal Affairs, you media-mapping loonies) John Swansburg on the James Dean morbidity cult, Brando, Hamlet, and the invention of the troubled teenager.

Ahem

Have you voted? At midnight tonight (that’s really soon), EST, it turns into a—it’s too horrible to say. To give Jennifer “Would it kill you to use a few of your roaming minutes?” Cain her rightful prize (see below), click here. To make the corporate surfer speak in your unforgettably droll voice, click here. And what will Jennifer, and you if you’re lucky someday, win?

The Qualified Winner of each Cartoon Caption Contest will receive a print of the cartoon, with the caption, signed by the artist who drew the cartoon (the “Prize”). If the winner cannot be contacted or does not respond within three (3) days, an alternate winner may be selected, at the sole discretion of the Judge(s). The approximate retail value of the Prize is $250. Income and other taxes, if any, are the sole responsibility of the winner.

Jennifer is Qualified, and therefore will win the “Prize.” You may or not be Qualified, but you are Qualified to Vote. Do so. Ask not what your magazine can do for you, but what you can do for your caption-writing career!

Postscript: I put my money where my fingers were (hmm) and I entered. Yes, I submitted a caption. If it places, you’ll be the first to know. If not, I will still have Participated. You know what they say: You miss 100% of the shots you don’t take. Ramalama ham-jam!

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