Author Archives: Emdashes

Watching the Watcher: Bill Cunningham Profiles Past, Present and Future?

Jonathan Taylor writes:
Readers who enjoyed Lauren Collins’s style issue profile of Times street-fashion shutterbug Bill Cunningham will no doubt have dug up the 2002 autobiographical Times article by him that Collins refers to, “Bill on Bill” (and the associated “The Picture Subjects Talk Back“). But his monkish ways and his passion for deflecting Le Regard were also the subject of a beguiling 1996 piece in ArtForum by Guy Trebay. Cunningham’s been coming out of his shell over the 13 years since then, but at such a slow rate, I think he’ll remain catnip for profilers for years to come. As Trebay quotes: “‘But you’ll never know him,’ an old friend says. ‘You’ll never know what he knows or what he has.'”

Readers “Ask the Author”; Queries Yield Pith!

Martin Schneider writes:
For months now, The New Yorker has been asking its feature writers and critics to make themselves available on the website to answer readers’ questions about specific articles.
I suppose it’s a cliche that New Yorker employees are aloof, snobby, and unapproachable. Not if you judge by the website, they aren’t! These days, the magazine is all about reaching out. Spend three minutes clicking on the “online-only” section of the website and explain how the staff and its contributors are insulated or unwilling to confront readers and critics. I don’t think it’s true.
Right now, Keith Gessen is up, ready to answer your questions about the trial of the alleged killers of the Russian journalist Anna Polikovskaya. Why don’t you go over and ask him something? While you decide what to ask, here are a few quotations from the “Ask the Author” online feature that caught my attention.
Atul Gawande: “The most important transformation going on in health care worldwide, I think, is that the complexity of medical know-how has exceeded the abilities of individuals.”
D.T. Max: “I think of Wallace’s depression as so intense that living, let alone writing, would have been impossible without treatment. As he described it, it had no component of sadness or wistfulness or affectlessness. It was more like an excruciating physical pain, a buzz saw cutting through his body again and again.”
Ryan Lizza: “I think right now Obama may be on the cusp of overplaying his hand. ”
Peter Schjeldahl: “Having great dead people looking over one’s shoulder is a haunting familiar to all who nurture creative or intellectual ambitions.”
Sasha Frere-Jones: “I like being able to ask [interview subjects] ‘Where are you from? What did your Dad do?’ in person, even if they find it annoying.”
John Lahr: “I always ask for a script, which is now a matter of course for all critics; thirty years ago, this was a demand that I think I started.”
Jill Lepore: “At this particular moment in history, our culture of work and our culture of family life are more or less opposed to one another.”
Deborah Treisman: “Some of the writers published in the magazine in recent years who came to us entirely unsolicited and unagented are Uwem Akpan, David Hoon Kim, Gina Ochsner, and Rebecca Curtis.”
Alex Ross: “If Bernstein had miraculously lived another two decades and been able to carry on composing, I’d guess he would indeed have written some kind of gay opera.”

Natasha Richardson: Our Best Hopes Go Out to You

Martin Schneider writes:
The actress Natasha Richardson suffered a severe head injury today while skiing in Canada; she is in criticial condition. I saw Ms. Richardson perform very ably in Patrick Marber’s play Closer some years ago. She’s always been a radiant presence in the world of theater, TV, and film, and I hope that remains true for many years to come.
Richard Brody also registers his heartfelt reaction.

New Yorker Summit: Brzezinski, Naomi Klein Also to Appear

Martin Schneider writes:
Today The New Yorker posted information about the New Yorker Summit ($350, May 5) on its website. (We had the basics for you yesterday.)
This seems an important bit of business: Tickets go on sale March 23, but you can pre-register. Here’s the text, straight from the horse’s mouth: “Tickets go on sale March 23rd at 12 noon E.T. You can pre-register now by calling 212-286-5753 or e-mailing Phyllis_Stambolian@newyorker.com.”
Yesterday we reported that Robert Shiller, Malcolm Gladwell, Richard Holbrooke, Geoffrey Canada, Neera Tanden, Howard Dean, and Nassim N. Taleb were on the bill. Today we learn that the attendees also include: Zbigniew Brzezinski, Esther Duflo, David Kilcullen, Naomi Klein, Robert Kuttner, Jeffrey Sachs, and R. James Woolsey. New Yorker-affiliated people to take part include John Cassidy, Malcolm Gladwell, Elizabeth Kolbert, Ryan Lizza, Jane Mayer, David Remnick, and James Surowiecki.
New Yorker description:
With a new President in office, our country is in a period of immense challenges, from unprecedented economic tumult to a worldwide environmental crisis. With more at stake than at any time in recent memory, we are compelled to put forward new solutions and new thinking.
In this spirit, The New Yorker Summit: The Next 100 Days will gather economic heavyweights and national-policy voices to look at the formative days of the new Administration, and to explore what lies ahead in the next hundred days. The event will feature a keynote address by the New Yorker staff writer Malcolm Gladwell, the author of “The Tipping Point” and “Outliers.”
Program Schedule
Programming will begin at 9 A.M. and conclude at 6 P.M. Breakfast and lunch will be included.
Skirball Center for the Performing Arts
New York University
566 LaGuardia Place
at the corner of LaGuardia Place and Washington Square South
Tickets
Tickets are $350 (breakfast and lunch included). Tickets go on sale March 23rd at 12 noon E.T. To pre-order your tickets and for more information, call 212-286-5753.

Nerve Optician: Adrian Tomine Interview on Creative Review

_Pollux writes_:
“Contemporary fiction in comics form” is how “Adrian Tomine”:http://www.adrian-tomine.com/ describes his work in his “fascinating interview”:http://www.creativereview.co.uk/crblog/qa-adrian-tomine/ with Simon Creasey, an interview complemented by illustrations rendered in Tomine’s unmistakable style. Tomine, besides “having created covers”:http://www.cartoonbank.com/search_results_category.asp?sitetype=1&section=all&keyword=Tomine&advanced=0 for _The New Yorker_, has been prolific, fashioning comics in his _Optic Nerve_ series that are more than “just” comics, telling stories, as “Andrew D. Arnold puts it”:http://www.time.com/time/columnist/arnold/article/0,9565,286282,00.html, “that feel more like short exposures of ordinary people’s lives, rather than plot-heavy adventures or overt comedy.”

Hark! and Attend the Song of the Twitscape

Martin Schneider writes:
The term “Twitscape” is an invention of Jon Stewart and his staff, and I hope it catches on! Anyone copyright it yet?
jzhang07 Finished Adam Gopnik’s Angels and Ages. A really good & fun book and reads like a 200 page New Yorker article.
(followed by….)
jasonjsiu @jzhang07 200 pages of the new yorker is not my idea of fun…
falameufilho wired magazine is like the new yorker and vanity fair mated and had a retarded son
doctorsreview “Travel is the sherbet between courses of reality” (from a cartoon by Victoria Roberts in The New Yorker) http://tiny.cc/sherbet
odeisel sometimes a cover is just a cover. Please stop overreacting to everything. The Michelle Obama New Yorker cover is fine. Christ
Thandelike if the new yorker mag goes under i will know the world has truly changed. damn those reluctant advertisers of canoes and cat bracelets
janetmock Once again surprised by a long ass profile in the New Yorker that I was initially not going to read; it was on writer-director Tony Gilroy
davidlebovitz If someone could come over and read the stack of New Yorkers on my coffee table, then summarize them for me, that’d be great.
(followed by….)
theveggiequeen @davidlebovitz Maybe you can get George Bush’s reader to it, now that he or she is out of a job. You want New Yorker Cliff Notes?
heidiharu “I want someone whose inner pain is totally hot,” Thank you, The New Yorker. [Hint]
melissagira I never thought of the place my parents lived when I was first born as “a run-down section of Boston.” Thanks, page 53 of the New Yorker.
martinjen Just read the new yorker and kinda wishing I was a Van Dyke.
ksauer7 Thank you, New Yorker, for your insight on similes. You’re as inconspicuous as a tarantula on a slice of angel-food cake.

April’s Book Club Book: George Orwell, Down and Out in Paris and London

Martin Schneider writes:
I mentioned recently that I am a bit of an Orwell junkie. So it with no small pleasure that I announce that, having decisively proven its worth with Richard Yates’s Revolutionary Road, the New Yorker Book Club now turns to Orwell’s terrific memoir of his days as a dishwasher in Paris and a hobo in England.
I must say, after Revolutionary Road, I was half-expecting the Club to continue with books that are currently in the public eye. This classics-minded selection immensely increases my enthusiasm for the project. Down and Out in Paris and London was probably one of the first “grown-up” books I ever read, but it has been a while. I’m looking forward to this!

Letters From Home: Steve Martin’s Stand, Emily Gould’s Address

Emily Gordon writes:
Notable in the news (as we say at Emdashes HQ, “old news is good news”):
Steve Martin Play Stirs School Controversy, reports the Times, and Martin is getting involved personally to defend the honor of his play, which is, of course, entirely honorable and replete with the exact sort of “adult content” to which teenagers should be exposed. On the other hand, the night that I saw Picasso at the Lapin Agile (in 1993 or so), the cabbie who was getting me to the show by curtain time–and we were rushing–got in a controversy of his own with another cabbie, and one of them (I can’t remember which now) leapt out at a red light, got a tire iron from his trunk, and started pounding on the other one’s car. Normally, I find cabbies to be extremely peaceful people, so it was memorable.
I hadn’t seen this Designing Magazines post about New Yorker DNA-sharing noble magazine Wigwag, which was edited by Lex Kaplen, art directed by Paul Davis, and contributed to by (for instance, and what a for instance) Nancy Franklin, but it’s really worth delving into the post and its ache-inducing images.
Emily Gould writes that the March 2, 2009, issue of The New Yorker (“Ryan Lizza’s Rahm Emanuel profile. Ariel Levy on Van Lesbians. Rebecca Mead making some opera lady interesting”) is “the best New Yorker of all time, pretty much,” and, being aware of the self-googling nature of us all these days, addresses Adam Gopnik directly.